![]() La Touche’s most well known works remain his light-filled garden and fetes gallants paintings, all completed with his trademark delicate brushwork and beautifully vivid palette. These large canvases and murals, reminiscent of the work of such 18th century artists as Hubert Robert and Jean Honore Fragonard, are characterized by glowing colors and broad brushstrokes. He also painted murals for the house of the dramatist Edmond Rostand at Cambo, Pyrenees-Atlantiques. These included four views of fetes at Versailles for the Palais d’Elysee, four decorative panels showing landscapes with figures for the Ministere de l’Agriculture, four pictures representing the arts for the Ministere de la Justice and decorations for the dining room of the liner La France. At this time, La Touche was awarded several official commissions for large-scale decorative schemes. In 1909 his paintings were exhibited in another large show at Boussod and Valadon in The Hague. As further proof of his success, in 1908 an impressive retrospective featured over 300 of his works at the Galerie Georges Petit in Paris. In 1900, La Touche also received the Legion d’honneur and was made an officer of the Legion in 1909. In 1889 La Touche won a bronze medal at the l’Exposition Universelle and was later awarded a gold medal at the 1900 l’Exposition Universelle. As a mature artist, he broke with his realist beginnings to paint in a harmonious decorative style that reflects the influence of the Rococo painters of the 18th century. La Touche participated in shows mounted by the Societe des Artistes Francais in the 1880s and 1890s, receiving a third place medal in 1884 and second place medal in 1888. In his youth, La Touche frequented the same Paris cafés as the Impressionists and is reputed to have received advice from Edouard Manet and Edgar Degas. During the six years until 1896, he gradually, yet steadily evolved from realism to the idealism that would become the hallmark of his oeuvre: the creation of a harmonious, luminous and charming world of parks and gardens, nymphs and fountains, fireworks, and fetes-champetres. These works represent the beginning of a radical shift in La Touche’s subject matter, palette and technique. In 1890 he exhibited Phlox and Peonies-both colorful scenes of women, children and flowers-at the Societe Nationale des Beaux-Arts, which brought him immediate success. ![]() In the late 1880s the influence of his friend Felix Bracquemond prompted him to discard his early style in favor of the colors favored by the Impressionists he also shifted his brushwork to small, petal-like strokes of color. They were vigorous, harsh and somber and met with no success he burnt most of them in 1891. ![]() Choose from more than 500,000 different oil paintings and 50,000 artists, or submit your own picture or photo to be reproduced as an oil painting. Every painting is 100 hand painted by our talent artist. 20 off all products Sale ends tonight at midnight EST. All gaston la touche art prints ship within 48 hours and include a 30-day money-back guarantee. His first paintings (1880s) were domestic scenes in the 17th century Dutch style. Gaston La Touche Oil Painting Reproductions. Choose your favorite gaston la touche art prints from 79 available designs. ![]() A self-taught artist, he was from childhood determined to be a painter and was supported in this ambition by his well-to-do parents. For Terms and Conditions for use of this image please contact the Registrar at 90.Gaston La Touche, a French painter and printmaker, was born in Saint-Cloud in 1854. With the Palace of Versailles as the backdrop, The Joyous Festival recalls the extravagance of the ancien regime, and was part of a series of dramatically festive evening scenes La Touche completed at the turn of the century. In this expansive, mythical nocturne, a gondola decorated with golden lanterns floats by a group of revelers dancing under a sky lit up by fireworks. Credit: Purchased 1888 Location: South Building, ground level, Grand Courts. Yet La Touche and his larger, less satirical work drew more from the Rococo tradition of the fête galante, a style of painting pioneered by Jean-Antoine Watteau that centered around the idle pursuits of love and pleasure by the upper class.Ĭompleted over a century after Watteau’s death, The Joyous Festival was part of a larger revival of interest in Rococo art at the end of the nineteenth century. on box, brown paint M P Gaston La Touche/ 1887. Description: One of the leading colorists of belle époque France, Gaston La Touche was friends with many of the Impressionists, and his many depictions of French popular entertainments mirror the work of Realists like Edgar Degas and Jean-Louis Forain.Physical Dimensions: 82 1/2 x 113 1/2 inches.Creator Birth Place: Saint-Cloud, France.
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